Archives for posts with tag: how to practice

An attempt at 10/2; the left hand of 25/4; some thoughts from the MTNA conference (including how Menahem Pressler talks about legato); how to practice an orchestral part.

PIAS 57

Thoughts on the difference between practice and rehearsal; the exact physical motions of 10/2 in way too much detail; a theory geek moment in 10/4; two promises about next week’s practice.

PIAS 56

Thinking about the thumbs in most of the Chopin etudes; moments of mindfulness; the tricky bits of 25/7.

PIAS 55

Chopin 25/6 goes on the shelf; a weird practice week; the key to 10/6 (maybe); adding a new etude.

PIAS 54

Thinking about freedom vs. structure and how to practice; some new practice habits; a (still rough) attempt at Chopin 25/6; and a meta moment or two.

Also, this book and this one.

PIAS 53

A complicated week; making practice feel like the stage and vice versa (and a reference to this book); a rough attempt at  Chopin 25/6; simplifying 25/4 and 25/9; 25/8’s inconceivable tempo.

PIAS 52

A small triumphant moment that proves these etudes are making me a better player; a resolution kept; grinding it out in 25/6, including a really nerdy plan; the state of 25/8, the danger of practicing 25/4 and 25/9 together.

Also, if you’re near the California Central Coast the weekend of February 12th, come hear me and say hello!

PIAS 51

Report on New Year’s Resolutions; attempts at Chopin etudes 10/12, 25/1, 25/5, and a before version of 25/6 (with some yelling).

PIAS 49

New Year’s Resolutions; a sloppy version of the Revolutionary etude; taking stock, with the first few measures of all the Chopin etudes I’ve worked on so far; run-throughs of 25/1, 25/5 and 25/6, with plans for them; ii-V-I patterns.

PIAS 48


Practice vs. play (stringent/joyful) ; some Haydn; Chopin Op. 25 no. 3 and op. 25 no. 5; making choices in op. 25 no. 6.
PIAS 46

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