Many thanks to those of you who wrote reviews! While I didn’t get as many as I’d hoped for, I’m really touched by some of your comments. The podcast will return occasionally, with sporadic episodes in 2013. Meanwhile, have a terrific holiday season!
Here’s a link to what I spent all week on:
and here’s the sound file in case you’re not near video.
cheers!
A report on yesterday’s lecture recital, including first performances of 10/3 and 25/2; thoughts on Chopin’s pedal marks; feeling disenchanted with the Mikuli score; some resolutions for after the holidays. Oh, and have you written your review yet? If I don’t hear from 100 of you by December 20, the podcast ends.
Demisemipenultimate? Only three more podcasts after this one (maybe). Thoughts on practicing between practice; on playing concerto reductions; a mini rant about Hindemith; a taxonomy of the Chopin etudes; and play-throughs of 10/3, 10/5, 10/8, and 25/2.
A mathy way of practicing 10/11; an interpretive conundrum in 10/3; a realization about my playing of 10/12; tricky parts of 10/8; thinking about 25/2, 10/5, and 10/4; beginning to learn the game of 25/8.
A report on how practicing Chopin helped me play Brahms last week; some quotes from Chopin (and one from Chuck Close); thinking through my next performance (with a request for your ideas); snippets of all 24 etudes (I’m ignoring the other three for now); an impromptu play-through, with some yelling, of 10/5; how I’m practicing 10/11 (and a couple of minutes of actual practicing).
Thanks so much to listeners who have written reviews on iTunes. Unless I get 100 reviews by December 20–and it doesn’t yet look like I will–there will be only five more episodes of this podcast. Thanks for being my practice buddy!
Still mostly practicing right hand alone: small groups in 25/8 and bits of 10/1 and 10/2.
Way too much detail about practicing with just the right hand, especially 25/8, 10/7, 10/10, and spots in 10/1 and 10/2.
A visit to the old stomping grounds leads to some thoughts on competition and motivation; some insights from playing an 1860s Broadwood piano; a danger of detail-oriented practice; the plan for next week. With bits of all of Op. 10.
Articulation and timing in 10/8; plugging away at 10/2 and 10/1; simplifying 25/10 and a theory geek moment; working on 25/8; a milestone in 10/7, organizing a practice session.
Play It Again Swig 