PIAS 122
Lots of playing this time:
Memory attempts at 25/7,8,9 and N1,2,3, with the spots in Op. 10 I’m practicing every day.
A mathy way of practicing 10/11; an interpretive conundrum in 10/3; a realization about my playing of 10/12; tricky parts of 10/8; thinking about 25/2, 10/5, and 10/4; beginning to learn the game of 25/8.
A report on how practicing Chopin helped me play Brahms last week; some quotes from Chopin (and one from Chuck Close); thinking through my next performance (with a request for your ideas); snippets of all 24 etudes (I’m ignoring the other three for now); an impromptu play-through, with some yelling, of 10/5; how I’m practicing 10/11 (and a couple of minutes of actual practicing).
Thanks so much to listeners who have written reviews on iTunes. Unless I get 100 reviews by December 20–and it doesn’t yet look like I will–there will be only five more episodes of this podcast. Thanks for being my practice buddy!
Still mostly practicing right hand alone: small groups in 25/8 and bits of 10/1 and 10/2.
Way too much detail about practicing with just the right hand, especially 25/8, 10/7, 10/10, and spots in 10/1 and 10/2.
A visit to the old stomping grounds leads to some thoughts on competition and motivation; some insights from playing an 1860s Broadwood piano; a danger of detail-oriented practice; the plan for next week. With bits of all of Op. 10.
Articulation and timing in 10/8; plugging away at 10/2 and 10/1; simplifying 25/10 and a theory geek moment; working on 25/8; a milestone in 10/7, organizing a practice session.