Archives for category: 10/12

Lots of playing this time:

Memory attempts at 25/7,8,9 and N1,2,3, with the spots in Op. 10 I’m practicing every day.

Little bits of 10/1, 2, 4, 7, 11, and 12. Also, N1 memorized (with some screaming).

Returning to the score after living without it for a few weeks; finding focus in the new school year; the hardest measure in 10/11; a practice method to get 10/12 up to tempo; work-in-progress version of N1.

All of Op. 10, from memory, in one big chunk, for the first time here. As you’ll hear, it’s still completely a work in progress (especially that my concentration really gave out in the middle), but I wanted you to hear the pieces coming together as a coherent whole.

The podcast will be on hiatus in August but will return in September. Best wishes for an enjoyable, productive rest of the summer, and thanks for being my practice buddy!

85: Tired

Here’s what 10/8,9,3,4,5 and 12 sound like when I’m tired.

Some of Op. 10 heads towards concert-ready, or at least concert; some spots to fix  in 10/4, 10/5, 10/8, 10/9, and 10/10, with a little bit of theory geekery in the latter.

Sticky Notes

A mathy way of practicing 10/11; an interpretive conundrum in 10/3; a realization about my playing of 10/12;  tricky parts of 10/8; thinking about 25/2, 10/5, and 10/4; beginning to learn the game of 25/8.

PIAS 76

A report on how practicing Chopin helped me play Brahms last week; some quotes from Chopin (and one from Chuck Close); thinking through my next performance (with a request for your ideas); snippets of all 24 etudes (I’m ignoring the other three for now); an impromptu play-through, with some yelling, of 10/5; how I’m practicing 10/11 (and a couple of minutes of actual practicing).

Thanks so much to listeners who have written reviews on iTunes. Unless I get 100 reviews by December 20–and it doesn’t yet look like I will–there will be only five more episodes of this podcast. Thanks for being my practice buddy!

PIAS 75

A visit to the old stomping grounds leads to some thoughts on competition and motivation; some insights from playing an 1860s Broadwood piano; a danger of detail-oriented practice; the plan for next week. With bits of all of Op. 10.

PIAS 68

PIAS 21

Slowly getting better; a plan to get back on track; the first bar or few of 10/1, 10/2, 10/4, 10/5, 10/6, 10/8, 10/12; some small improvements; note-changing exercises; working on a supported thumb (see teeny video).