Sounding worse to sound better; balancing freedom and control; dealing with sneaky negative thoughts; a ninja practice technique that has me drowning in office supplies. Also 25/7 from memory, bits of 25/11, 25/10, and 10/1. Listen to the end for a special hundredth episode bonus.
Thoughts on the Cortot edition of the Chopin etudes and on walking the line between caring lots and not at all about the composer’s intent, with snippets of 25/7 and 11.
Report on a couple of performances of Op. 10 and the first half of Op. 25, with bits of most of them.
Little bits of 10/1, 2, 4, 7, 11, and 12. Also, N1 memorized (with some screaming).
Returning to the score after living without it for a few weeks; finding focus in the new school year; the hardest measure in 10/11; a practice method to get 10/12 up to tempo; work-in-progress version of N1.
All of Op. 10, from memory, in one big chunk, for the first time here. As you’ll hear, it’s still completely a work in progress (especially that my concentration really gave out in the middle), but I wanted you to hear the pieces coming together as a coherent whole.
The podcast will be on hiatus in August but will return in September. Best wishes for an enjoyable, productive rest of the summer, and thanks for being my practice buddy!
A report on last week’s recording session, including maintaining a feeling of gratitude while recording; a few Tin Pan Alley tunes;on returning to practicing Chopin.
Tunes played here include “Whippoorwill,” “My Little Ever Lovin’ Sugar Babe,” “He’d Have to Get Under–Get Out And Get Under (To Fix Up His Automobile),” and “Twilight.” To the best of my knowledge, they’re all public domain.
I’ll post a link here when the CD gets released.
Mostly talk, but some snippets; on making changes and not beating yourself up for mistakes (I’m working on it). Also some specifics about 25/9 and 10/10.
Hanging out on a ledge, partway up the mountain; simplified versions of the three “new” etudes.
A performing first, a new piano, and a newly quiet office (because of noise for now).
Plus snippets of all of Op. 10 and some Op. 25.