Archives for posts with tag: Practice

All of Op. 10, from memory, in one big chunk, for the first time here. As you’ll hear, it’s still completely a work in progress (especially that my concentration really gave out in the middle), but I wanted you to hear the pieces coming together as a coherent whole.

The podcast will be on hiatus in August but will return in September. Best wishes for an enjoyable, productive rest of the summer, and thanks for being my practice buddy!

92: Tin Pan Alley Preview

A report on last week’s recording session, including maintaining a feeling of gratitude while recording; a few Tin Pan Alley tunes;on returning to practicing Chopin.

Tunes played here include “Whippoorwill,” “My Little Ever Lovin’ Sugar Babe,” “He’d Have to Get Under–Get Out And Get Under (To Fix Up His Automobile),” and “Twilight.” To the best of my knowledge, they’re all public domain.

I’ll post a link here when the CD gets released.

91: Traction

Mostly talk, but some snippets; on making changes and not beating yourself up for mistakes (I’m working on it). Also some specifics about 25/9 and 10/10.

A performing first, a new piano, and a newly quiet office (because of noise for now).

Plus snippets of all of Op. 10 and some Op. 25.

A report on a performance of six of the etudes from Op. 10, with a little bit of coughing.

85: Tired

Here’s what 10/8,9,3,4,5 and 12 sound like when I’m tired.

Some of Op. 10 heads towards concert-ready, or at least concert; some spots to fix  in 10/4, 10/5, 10/8, 10/9, and 10/10, with a little bit of theory geekery in the latter.

Sticky Notes

A brief encounter with an out-of-tune Erard piano (and another piano). Warning: questionable sound quality! horrible intonation!

PIAS 83

This started out as a right hand exercise for rotation with a supported thumb–all the right hand is just thumb and pinky for most of it, though I did use other fingers towards the end. The second half was just playing around with counterpoint, which I really enjoyed. I tried to make the last resolution soft but audible; if this were a real (e.g. edited) recording, I’d probably mess with the volume to make it clear.

Making art in this world; maintenance practice vs. get better practice; score disagreements; improving my thumb support.

Oh, and here’s how to write an itunes review, as well as how to download iTunes. If you can’t get into iTunes, I’d also appreciate your leaving me a comment here at http://playitagainswig.com. Thanks!

PIAS 79

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