A report on an informal house concert; why it’s hard to practice on vacation; last 10/7 before it goes on the shelf for a few weeks; early days in 10/11; the scariest measure in 10/10; beginning 10/8, and finding it strangely familiar.
Part of a “before” version of 10/10, including a momentary foray into theory geekdom; a slightly improved version of 10/11; just the sixteenths of 10/2; the danger in 25/12; a new strategy for 10/7; a quote from Schumann; why I find these etudes so challenging; cheating on Chopin with Mozart and Haydn.
The last 10/4 for a while; some good practice ideas for 10/2, and a realization about one reason I’ve been having trouble with it; finding out how well the Cortot exercise worked for 10/7; strange melodies in 25/12; some thoughts about memory and plateaus, which reminded me of a podcast I love; a reminder that the perfect is the enemy of the good.
A failed version of 10/2 (and some thoughts about why); newly discovered notes in 25/12; a new strategy for 10/7; 10/4 as a rhythm meta-etude; a painfully slow before version of 10/11; and a thought about balancing days.
Trying to make practice more like play; spots I love; partial jazzy versions of 10/4, 10/2 and 1/7; the measure I still hate the most in 10/1; clave-ish rhythms in 25/12; dreaming of cake.
Recorded February 7, 2011
N.B. Please comment below if you have trouble with sound quality, volume, etc; I’m hoping to do an iTunes launch in the next few weeks, and I’d like to have all the bugs ironed out. Other feedback is very welcome, too! Thanks.
The tricky parts of 10/2 and 10/4 in (possibly) excruciating detail; still muddling through 10/1 and 10/7; a before version of 25/12; a little tangent on Bach; a cheerful assignment.