I recorded this right after practicing Poulenc’s Sanglots, and you can hear it. I tried to really listen to the sound of the piano more than I had been, and kept my focus reasonably well. I had one magic moment where I heard the overtones from a low Db and brought in the F right above middle C to match them, but I wasn’t crazy about what I played afterwards; it felt cheesy. At the end, I couldn’t remember my original melody, so I just did some modal noodling (if I ever make an album of these, “modal noodling” might be the perfect title).